Motifmotion

Motion Graphics Services

Motion graphics for social, product UI, presentations and titles: type, icons, data and brand systems in motion.

From 4G to 5G, produced for Spirent

Trusted by

Johnson & Johnson logo
Spirent Communications logo
The Judge Group 50th anniversary logo
Mac Papers + Packaging logo
Merck logo
Pfizer
Wolters Kluwer logo
University of Pennsylvania official logo
Audacy logo
Public Health Management Corporation logo
Cybersecurity Association of Maryland logo
Weego logo — portable jump starter brand

Motifmotion is a Philadelphia animation studio, and our motion graphics services cover animated type, icons, data and brand elements for social ads, product and SaaS interfaces, presentations and titles. We have built motion graphics into client work for Johnson & Johnson, The Judge Group, Mac Papers + Packaging and Spirent. Motion design sits alongside our other design services rather than being bought in, so the same animator who sets the style frames animates the final piece, always as part of a full-service production with script, storyboard, animation and sound handled in-house.

What do motion graphics do?

Motion graphics move type, icons, shapes and data to deliver a message directly. No characters, no world, no story arc. Animation builds a world for characters to live in, video records something that already exists, and motion graphics animates the graphic elements themselves.

The difference is not the software or the technique, it is what the movement is trying to accomplish. Animation asks how to bring a character to life. Motion graphics asks how to communicate an idea. That focus is what makes it fast to read:

  • A statistic animating onto screen
  • A logo unfolding
  • A UI element highlighting itself

The shortest way to put it: motion graphics is graphic design in motion. The same thinking a designer brings to a layout — hierarchy, type, composition, brand — applied to something that moves. That is what lets it simplify complex ideas quickly, and why it sits so naturally next to the rest of a brand's video content.

Motifmotion treats it as one tool inside a full animation practice. It is a subset of animation, not a separate discipline, and it often sits inside a larger piece: an intro sequence on a longer film, a data section in the middle of an animated explainer, or a title card on a video that is otherwise live action.

Motion graphics or animation: which do you need?

The two overlap enough that the words get used interchangeably, but the choice is really about what the movement has to accomplish. Animation tends toward visual storytelling; motion graphics tends toward visual communication. Both use the same software, so the tool decides nothing, and the animation style you end up with follows the job rather than the other way round.

Choose animation

When a character, a scene or a story carries the message. Acting, expression and timing are doing the work, and the viewer is meant to feel something before they understand it.

Choose motion graphics

When information carries the message. Type, data, icons and brand identity are doing the work, and the viewer needs to understand complex ideas quickly.

Most projects blend the two. An animated video can open on an illustrated scene and cut to a data section, and mixing 2D and 3D inside one piece is routine. If the whole project is illustrated scenes rather than graphics in motion, that is 2D animation instead.

For a piece built specifically around presentations and internal communications, see Corporate animation videos for businesses and brands. When the data or product needs to read in three dimensions, a device, a machine or a spatial process, that is 3D motion graphics services, on our 3D Animation Services page.

A motion system, not a one-off

Motifmotion builds a reusable motion system for clients running more than one piece: a template, a lower-thirds design and a transition set that every new video reuses instead of starting from zero. That is not a marketing claim, it is how the pricing works. Long-form programs reuse assets, layouts and design systems across modules, which is why a few minutes of high-end animation can cost more than an entire hour-long training program.

The system covers what motion graphics is built to carry, set once and then reused:

  • An animated logo
  • A lower-thirds treatment
  • A title-card style
  • The transitions between them

A series produced as a program from the start reuses scripts, design systems and motion across episodes, so cost per video drops as the program grows. Our job explainer series for The Judge Group ran on exactly that cadence: every piece under 35 seconds, one look carried across all 18 episodes.

Have a deck, a dashboard, or a launch to animate?

Tell us what exists and we will scope the work around it.

Our motion graphics process

Seven stages, with two rounds of revision included per phase so feedback gets caught early instead of piling up at the end. Most projects compress a few of these: a locked script, an existing style, or footage to layer motion graphics over all shorten the run.

1
DiscoveryObjective, audience and the core message the piece has to land.
2
ScriptingA clear, on-brand script written for the piece.
3
StoryboardingA visual plan that maps content flow before anything is animated.
4
DesignBrand-aligned style frames. This is where the system gets set: the logo treatment, the type, the palette and the transition style every later piece reuses.
5
AnimationBringing type, icons and data to life with motion and timing.
6
Sound designVoiceover, music and sound effects.
7
DeliveryFiles sized for web, social, an LMS or broadcast.

How much do motion graphics cost?

Motion graphics is priced per finished minute, in the same three bands as the rest of Motifmotion's short-form work. Which band a project lands in depends on how much is designed from scratch and how much movement the piece carries.

Simple motion graphics: bold type above and below a single flat globe icon, from Motifmotion's What Is Judge video for The Judge Group

Modest

$3,000 – $6,000 per minute

Icons, type and data on screen.

Typical of:

  • Kinetic typography and title cards
  • Icon-led explainers
  • Logo animation and lower thirds
Moderate motion graphics: a custom-built icon system filling a laptop screen, from Motifmotion's work for the Cybersecurity Association of Maryland

Moderate

$6,000 – $9,000 per minute

Custom-illustrated, layered pieces with more movement.

Typical of:

  • Custom illustration rather than stock icons
  • Multi-scene narrative pieces
  • Layered transitions and sound design
Complex motion graphics: three Weego jump starters rendered with labels above a line-art lineup of a car, pickup and truck, from Motifmotion product graphics work

Premium

$9,000 – $15,000 per minute

Complex scenes with sophisticated visual work.

Typical of:

  • Product renders and technical callouts
  • Dense data and system visualization
  • Broadcast and campaign deliverables

A system set on the first project lowers the cost of every piece after it, which is what makes a run of pieces more cost-effective than a single one and why marketing teams tend to commission in batches.

How long do motion graphics take?

Most Motifmotion video work of comparable scope runs six to nine weeks from kickoff to delivery, using the same discovery, script, design, animation and sound process used across the studio. Motion graphics sits at the faster end of that range because there is no illustrated world to build.

  • A single logo animation or a short social cut moves fastest
  • A layered, multi-scene piece takes longer
  • Each round of review adds time on top

Clients running a series move faster on every piece after the first, because the system is already set and only the content changes.

Case Study #01

Motion graphics we've produced

Spirent — Product Demonstration Series. A four-episode motion graphics series on network test and assurance: consumer product needs, high-speed dependent networks, automotive ethernet devices, and real-world performance. Interface, diagram and animated type carry each episode; no illustrated world is built, because none is needed to make network architecture legible.

ClientSpirent
TypeProduct demonstration series
LengthFour episodes
StyleTechnical motion graphics
Animated UI showing positioning, navigation, and timing categories for Spirent GNSS product demo
Animated server rack, network globe, and headset icons from a Spirent TestCenter product demo video
White circuit-board car icon on blue — still from Spirent Automotive Ethernet product demo video
Animated globe flanked by network and headset icons, from Spirent Vantage 4G/5G demo video

Ep01: Consumer Product Needs

Case Study #02

Public Health Management Corporation — RANT. A software walkthrough introducing the Risk and Needs Triage, the tool treatment courts use to match clients to the right program. Interface, data and kinetic type carry a genuinely difficult subject, including how the tool avoids introducing racial or gender bias into a prediction.

ClientPublic Health Management Corporation
TypeSoftware walkthrough
Length1:30
StyleUI motion graphics
Risk and Needs Triage Walkthrough

Risk and Needs Triage Walkthrough

More motion graphics work

A threat explainer built as an illustrated icon system, product graphics for a physical product, a kinetic-typography piece over a map, and one of three animated infographics produced for a B2B audience.

Animated U.S. map with pins showing 28 million small businesses nationwide, from a cybersecurity explainer video

Small Business Cybersecurity

Animated title card for Weego portable jump-starter battery product film

Portable Batteries

Animation stills from Motifmotion's radio attribution explainer for Audacy — driver, DJ, charts, and smart speaker scenes

Foot Traffic

Wide Format Printing Stats

Wide Format Printing Stats

Watch the full reel in the Animation Portfolio.

Motion graphics services FAQ

Motion graphics is a subset of animation. Animation brings characters and scenes to life for storytelling; motion graphics animates type, icons, data and brand elements to communicate information. Same software, different intent.

2D animation builds illustrated scenes and characters. Motion graphics moves graphic elements with no world around them. Most motion graphics is made in 2D, so the distinction is what is moving rather than how it is built.

From $3,000 to $15,000 per finished minute. Icons, type and data on screen sit at the lower end; custom-illustrated, layered pieces with more movement sit higher. Priced per finished minute.

Most work of comparable scope runs six to nine weeks from kickoff to delivery. A single logo animation or short social cut is faster; a layered multi-scene piece and extra review rounds add time.

Yes. A logo, a type system and a palette are usually enough to build a system from. If brand guidelines exist we work inside them, and the logo animation and lower-thirds treatment become reusable across every later piece.

Yes. Motion graphics layered over a real product screen is one of the most common jobs we produce, used for onboarding and platform navigation. The same applies to layering it over stock or client-supplied footage.

Files sized for web, social, an LMS or broadcast, in every cut and aspect ratio the campaign needs. Delivery is the final stage of the same process used across the studio.

Look at named client work, not a reel. Ask what was built, for whom, and whether the studio runs full production, script, storyboard and sound, or hands over raw animation only.

Broadly yes. Motion design is the wider craft; motion graphics is what a motion designer produces. Motifmotion runs motion design services inside the same studio as its other design services rather than as a separate motion design studio.

Regularly. UI animations over a real product screen, 2D motion for onboarding flows, and short marketing videos for launches are among the most common jobs SaaS companies bring us.

Yes. Layering animated graphics and visual effects over live-action footage is routine, and video animation over film is often the most cost-effective way to explain something a camera cannot show on its own.

Barbara Lasic
Barbara LasicDirector of Partnerships

Have something to put in motion?

Tell us what you are making and what already exists, a logo, a deck, a product screen, a set of numbers, or nothing yet. We will scope the work and come back with a fixed price.

We'll outline the approach, the timeline, and the next steps.

Contact Us Today